TRIGGER
WARNING
Art & Literature
Issue Three
Tension
Restraint
Control
Cover: Kendra Matott  ·  Diabolical Whimsy
Contents
Issue Three
George L Stein
Image: Rope Pedestal
Art
John Tustin
The Duet  ·  My Attic
Poetry
John Tustin
The Old Broken Rocking Chair
Poetry
John Tustin
Snowed In
Poetry
John Tustin
You Hardly Cross My Mind ★
Poetry
George L Stein
Image: Church Silhouette
Art
Juanita Rey
My Problem with April
Poetry
Yuan Changming
Three Poems
Poetry
James Croal Jackson
Turbulence
Poetry
John Grey
Misled
Poetry
George L Stein
Image: Red Light
Art
C.
Last Letter to a Lover
Fiction
George L Stein
Image: Shibari Church
Art
DS Maolalai
Lucky  ·  A Moustache
Poetry
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Daisy Freeland
Images I & II
Art
Anonymous
Fuck
Poetry
Layna Williams
[untitled]
Poetry
George L Stein
Image: Performance
Art
Dominik Slusarczyk
Literally
Poetry
Wilson Elder
An Ode to Someplace Once ★
Poetry
George L Stein
Image: Purple Suspension
Art
Jodie Armour
Smack
Poetry
Eve Lyons
American Crow ★  ·  House Sparrow
Poetry
Kelsey
Witchy Boudoir Series
Art
Zeke Jarvis
Can't You Take a Joke?
Fiction
Sam Harty
Stick
Poetry
Daisy Freeland
Images III–V
Art
Pete Mladinic
Three Poems
Poetry
George L Stein
Image: Cruciform
Art
S. Kenneth Wieda
Three Poems
Poetry
Tom Barlow
Three Poems
Poetry
Aaron Lewis
Shibari Series
Art
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Issue Three Theme
Tension
Restraint
Control
Trigger Warning Magazine
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Rope on pedestal — George L Stein
George L Stein  ·  Photography
George L Stein
George L Stein  ·  Photography
Poetry
The Duet
John Tustin
she sang to me.I loved her voice.somehow, I knew her song.she sang to meand before much time had passed,we became a duetbut then her voice grew colderand further and further awayand, now, her voice is as distant as the sunbut, like the sun,I can still feel it on my skin sometimesyet I cannot sing anymore:she has taken my voice with hers.
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My Attic
John Tustin
I occupied this little spacein a corner in the basement of her heartwhere no sunlight would penetrateand she occupied my big roomin the front of the housewith the windows that took in the morning sunbut now she's in my attic,with my childhood,fights with my ex-wifeand my old drawings of fighter planesand WWII German tanks.She's in an open trunk,tucked between the bulliesand the yellowed paper,under the piles of pencilsall worn down to nubs.
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The Old Broken Rocking Chair
John Tustin
I think about your body now, after all these years,and know that for a short time I held it just rightand our tender, secret kissesthat caused you to close your eyesand react like a contented kittenwas something that should have lasted.Did I get what I deserved thenor am I getting it now?I don't know.My life and my actions are such a mixed platebut I know in that momentthat I deserved your loveand you deserved mine.Bridges wash out,trees are split by the lightning,uprooted by the rainthat in every life will surely falland I am stranded on the wrong side,struggling for my life,trying not to be split in halfor toppled in the continuing storms.
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The Old Broken Rocking Chair
continued — continued
I look outsideand the old broken rocking chairis rocking in the wind,without an occupantand I'm alone in this roomwith my deteriorating bodyand thoughts like a wounded man with no voice,dying in a ditch in the darkness.
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Snowed In
John Tustin
I go back in my mind, time and again,to the night we were snowed inand you drank my beersand fell asleep on my tacky green carpet.The music I still remember,playing on as you sleptand I remember going to the windowand seeing the repercussions of the storm,that still-unmolested quilt of snowand wondering, as I often did,who you really wereand if you really loved me,knowing that you did but you didn't,deep within myself knowing thatand you opened your eyesas I brought you to bedand you looked into me,me being so honestly transparent,and your heavily lidded eyes,though still not sober,once again did not betray you
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Snowed In
continued — continued
and the streetlamp was reflecting off of the snowand right through the blindsas I put the blanket on your shouldersand kissed your lovely foreheadas you looked through me once morebefore falling back to sleep.Never before was the snow so whiteor your eyes so opaqueand the snow will never look so white again.
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You Hardly Cross My Mind
John Tustin
My porch waits to hear your footsteps.My window watches for your approach.My front door practices its welcome.My bed pretends to make love to youin the unbridled machinations of the night.There's a spot by the doorthat reminisces about your wet umbrellaleaning against the wall.Me?You hardly cross my mindbut the crows on their branches,they remember youand they chatter awayabout how you used to come to meand they remember that smile on my face,long gone, unreturnedsince our last embrace.
★ Pushcart Nomination
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"she has taken my voice with hers."
John Tustin
John Tustin's poetry has appeared in many literary journals. fritzware.com/johntustinpoetry contains links to his published poetry online.
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Church silhouette — George L Stein
George L Stein  ·  Photography
Poetry
My Problem with April
Juanita Rey
This spring is far too contrary.A young girl's fancy turns to a bucketplaced mid-kitchen to collectthe water that drips from the ceiling.And the flowers are merely weeds,recycled from last year.Yes, some migrating birds have returnedbut only to emphasizehow I didn't go anywhere.
Nothing here is new,not within or without me.That this could possibly be a beginningis a lie as wide as the mouth of that bucket.I have laundry to do.And a sink full of dishes that need scrubbing.Bills to pay of course.And a lousy job, an abusive boss,that's the best that I can get.Meanwhile, the drops of watergo right on thumping.
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My Problem with April
continued
Love may be in the air.But, believe me,it's not in the details.
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"Love may be in the air. But, believe me, it's not in the details."
Juanita Rey
Juanita Rey is a Dominican poet and US resident. Her work has been published in Mixed Mag, The Mantle, The Lincoln Review, Lion and Lilac, among others.
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Poetry
For the Trees
Yuan Changming
Don't stand out tall in the forestUnless you feel too tired to re-Main there or long to fall forAn everlasting respite. Try toGrow into a formless form ofA twisted skeleton like a namelessShrub beside the trailThat no hikers would botherTo stop and take a look. Just standStill, take all the time you needTo observe any life or dead as is
So much for meditatingOn whatever outlives the moment
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"Don't stand out tall in the forest / Unless you feel too tired to remain there."
Yuan Changming
Yuan Changming started to learn the English alphabet at age nineteen and published monographs on translation before leaving China. With a Canadian PhD in English, Yuan co-edits Poetry Pacific with Allen Yuan. Writing credits include 16 chapbooks, 15 Pushcart nominations, and appearances in Best of the Best Canadian Poetry (2008-17) and 2,207 publications across 52 countries. poetrypacific.blogspot.ca
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Poetry
Turbulence
James Croal Jackson
Through my window I see rainbowcircles on snowy roofs of cloudswhile the cabin rocksand rattles- prisoner angelsclanging on the airplane wallswith chains and crowbars.I should have sent youthe playlist I made foryou before our spirits ascendedinto sky to battle these icicletowers. Now, the chatteringof passengers around me,buckled and praying to the godsbeneath us who lord oversome semblance of ground-
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Turbulence
continued — continued
how close to touching heavenwe are, or whatever after-worldis above THAT, or the nothingnessof no existence. I swear I sawthe grim reaper made of mistemerge from his cavernin the clouds, floating fastto our collective body wieldingnot a scythe, but wire cuttersfor our wings.
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"not a scythe, but wire cutters / for our wings."
James Croal Jackson
James Croal Jackson is a Filipino-American poet working in film production. His latest chapbook is A God You Believed In (Pinhole Poetry, 2023). Recent poems in The River, Mangrove Review, and Packingtown Review. He edits The Mantle Poetry from Nashville, Tennessee.
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Poetry
Misled
John Grey
You have been misled.The poem I wrote about meis not about me at all.Yet it's in the first personand that is where I'm usually found.But I wore a disguisea young man from a southern state.And then I put a mask over thatand made him the son of a poor farmer.
The father expects the sonto take over the farm someday.The kid wants to be a writer.An argument leads to blows.The father's knocked down.The son storms off the land.The father, stumbling to his feet,declares,"I no longer have a son."
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Misled
continued — continued
It's not true.I told my dad I wanted to be a writer.And he just muttered,"Better that than working in the railyard."
So yes, you have been misled.But you also have been catered to.
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"So yes, you have been misled. But you also have been catered to."
John Grey
John Grey is an Australian poet, US resident, recently published in New World Writing, River And South and The Alembic. Latest books, Bittersweet, Subject Matters and Between Two Fires are available through Amazon.
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Red light — George L Stein
George L Stein  ·  Photography
Fiction
Last Letter to a Lover
C.

Today, I am going to die.

I made the bed in the morning. I haven't done that since another pair of hands were here to help pull the sheets up. I cooked a proper meal and ate every last bite. I haven't done that since there were two mouths here to feed. I even went to the meadow in the late morning and picked fresh wildflowers. The green stems have been bejeweled for months now, yet I have not been to the fields since they bloomed in early spring. I gently laid the freshly plucked flowers on the wooden table next to my lonesome breakfast plate.

The trees of the forest cocooning our cabin gathered in a waltz to the graceful tune of birdsongs. Rarely did we see another soul this deep into the forest. Although occasionally, our path would cross with distant neighbors when they ventured into a nearby trailhead. They're kind and respectful folk, always waving with gleeful smiles as they pass along. Hopefully today, such a magnificently warm and dreamy midsummer day, they won't be up for a hike.

I brushed and braided my hair. I haven't done that since I last tried teaching you to plait. I remember how your broad hands weaved through my wavy brunette locks with a careful tenderness, as though each strand was gilded with gold. After securing my hair into a lengthy braid, I put on that red sundress you always gloated about. You gushed about how the fabric follows my every movement like a dance, like a fresh poppy swaying in the field. You begged me to promise that you would be the one to twirl me around in this dress every time I put it on, and the only one to ever unhook it.

I kept my side of the bargain.

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Last Letter to a Lover  ·  C.  ·  continued

I dug into the bedside drawer and pulled out my final picture of you, preserved like a priceless archive. There were no vengeful tears or bends in the thick, glossy film. As I glided my hand across the silky veneer, I could still feel the brisk January air fossilized in the frame. The cotton candy skies enveloped your tall frame and the distant forest into midnight blue silhouettes. Upon the horizon, the waves of the lake stood frozen in soft, periwinkle ripples, caressing your form forevermore.

I rummaged deeper through the drawer, my hand burrowing beneath a pile of mementos and letters until my fingers caught the rim of the ring. I still giggle thinking back to your poor detective skills, how I played along like a mother with her child as you measured my finger with a piece of yarn. The thin band of plated gold and dainty diamonds still shone as fresh as the day you revealed the token to me.

I lifted the ring to feel the cold metal cut against my chapped lips. I could never wear it on my left hand again. In fact, it would be more fitting — perhaps more dignifying — to chop off my left hand than to wear another ring ever again. Instead, I slipped the gold band onto a slender chain and clasped the necklace around my throat, a vow I never conceded.

I stepped outside again into the cheerful summer day, adorned now with a new charm necklace. The birds never relinquished their praises, still filling the forest's silence. I reached once more for the bunch of flowers resting on the table. They were beginning to look weak and thirsty, unlike when I first picked them that morning. I worked quickly, yet delicately, weaving their mushy stems together into a crown. When the tangled stems fit together as one around my head, I slid it on like a fragrant halo. I felt like Mother Earth herself for a moment. But it wasn't enough.

How dare they speak of this so carelessly? How dare they treat the heart so recklessly? The word itself feels like ripping away a layer of blistered skin. It doesn't deserve tangibility. And yet, my heart is still open, sliced and burning from the salt poured into it.

Let go, they say, let it go. But in their utterances, I only hear, let it happen, just let it happen. That's what you would tell me in our most loving moments, when it was mere skin-on-skin in this teeth-on-teeth world.

Just let it happen.

I began walking into the mouth of the forest. I walked and I walked, far enough to ensure nobody would find me. Yet if they do, they will find a ring around my neck and the ripples of a lake clenched between my blue fingers. And as my feet began to drag through the soft earth, aching with exhaustion, I began to wonder if the bees would drink up the nectar from my halo once I planted myself in the dirt.

Between the suffocating walls of endless foliage and trees, I imagined you were next to me, as if it were nothing more than a leisurely stroll. I would have reached over to you, to say: If you were a strong man, brave enough to bear the burden of mercy, you would know that peace is simple and cruelty is demanding. If you were a strong man, brave enough to survive the burden of bitterness, your heart would be open, too. Then you would be atoned.

Birdsongs clashed in unison from the canopies overhead as I fell to the forest floor, my shaking body finally cradled and held. I couldn't tell whether the aria was pleasant or utter chaos. Amidst the fervor, I gathered but one thing: My soul was yours for the taking. It still is.

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"My soul was yours for the taking. It still is."
C.
C. is a pen name.
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Shibari church — George L Stein
George L Stein  ·  Photography
Poetry
Lucky
DS Maolalai
I think I can pay it. 2k repairsto the car in a personal bank loanplus 500 from my februarypaycheck. 1.5k covers groceriesand my half of the mortgage.the rest goes for pleasure.I want that. I'll wait a few months
before starting the pensionI promised my wife that I'd start.the immediate comes beforethings which might happen.and we've got a tesco clubcard.it brings down our costs
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Lucky
continued — continued
quite considerably.and I've handed enough cigarettesout outside bars on fridaysto not be ashamed nowto ask. have bought enough roundsto machinegun a palestinian village.I'm owed things, and frankly I'm lucky –apparently it's good for my credit.
and an ex-girlfriend from collegewants to meet up for a drinkwhen she's over next month.I'm thinking about it. my wifeis thinking about it.
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A Moustache
DS Maolalai
my bladder is fat as a grannysmith apple. I sit, sipmy lager and I think aboutpissing. my wife's on a stool.she is tolerating bitter craftbeer. in the booth behind both of us, a puppy(who looks just like our dogwhich died recently) is trainedto the bars by his young womanowner, helped by her olderman date. I don't want to move.the dog seems to want to makefriends with everyone getting upfrom a seat for the bathroom.
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A Moustache
continued — continued
in front of us, outside the windowwe're facing, a woman –24, 25 or so - is filling her dresslike a bite of a granny smith apple.her friend - 24, 25, thereabouts –has a moustache and pencil-mark of stubble beneath.a lot of young men have them lately.he mouth open kisses herin front of their friends. we idly spectatethe reaction of the rest of the circle - it's veryuncomfortable. there's six at one tableand suddenly little to say.
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"I'm owed things, and frankly I'm lucky."
DS Maolalai
DS Maolalai has been described by one editor as "a cosmopolitan poet" and another as "prolific, bordering on incontinent". Nominated fourteen times for BOTN, eleven for the Pushcart and once for the Forward Prize. Collections: Love is Breaking Plates in the Garden (Encircle Press, 2016), Sad Havoc Among the Birds (Turas Press, 2019) and Noble Rot (Turas Press, 2022).
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