TRIGGER
WARNING
Art & Literature
Issue Three
Tension
Restraint
Control
Cover: Kendra Matott  ·  Diabolical Whimsy
Contents
Issue Three
George L Stein
Image: Rope Pedestal
Art
John Tustin
The Duet  ·  My Attic
Poetry
John Tustin
The Old Broken Rocking Chair
Poetry
John Tustin
Snowed In
Poetry
John Tustin
You Hardly Cross My Mind ★
Poetry
George L Stein
Image: Church Silhouette
Art
Juanita Rey
My Problem with April
Poetry
Yuan Changming
Three Poems
Poetry
James Croal Jackson
Turbulence
Poetry
John Grey
Misled
Poetry
George L Stein
Image: Red Light
Art
C.
Last Letter to a Lover
Fiction
George L Stein
Image: Shibari Church
Art
DS Maolalai
Lucky  ·  A Moustache
Poetry
2
 
 
Daisy Freeland
Images I & II
Art
Anonymous
Fuck
Poetry
Layna Williams
[untitled]
Poetry
George L Stein
Image: Performance
Art
Dominik Slusarczyk
Literally
Poetry
Wilson Elder
An Ode to Someplace Once ★
Poetry
George L Stein
Image: Purple Suspension
Art
Jodie Armour
Smack
Poetry
Eve Lyons
American Crow ★  ·  House Sparrow
Poetry
Kelsey
Witchy Boudoir Series
Art
Zeke Jarvis
Can't You Take a Joke?
Fiction
Sam Harty
Stick
Poetry
Daisy Freeland
Images III–V
Art
Pete Mladinic
Three Poems
Poetry
George L Stein
Image: Cruciform
Art
S. Kenneth Wieda
Three Poems
Poetry
Tom Barlow
Three Poems
Poetry
Aaron Lewis
Shibari Series
Art
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Issue Three Theme
Tension
Restraint
Control
Trigger Warning Magazine
4
Rope on pedestal — George L Stein
George L Stein  ·  Photography
George L Stein
George L Stein  ·  Photography
Poetry
The Duet
John Tustin
she sang to me.I loved her voice.somehow, I knew her song.she sang to meand before much time had passed,we became a duetbut then her voice grew colderand further and further awayand, now, her voice is as distant as the sunbut, like the sun,I can still feel it on my skin sometimesyet I cannot sing anymore:she has taken my voice with hers.
6
 
My Attic
John Tustin
I occupied this little spacein a corner in the basement of her heartwhere no sunlight would penetrateand she occupied my big roomin the front of the housewith the windows that took in the morning sunbut now she's in my attic,with my childhood,fights with my ex-wifeand my old drawings of fighter planesand WWII German tanks.She's in an open trunk,tucked between the bulliesand the yellowed paper,under the piles of pencilsall worn down to nubs.
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The Old Broken Rocking Chair
John Tustin
I think about your body now, after all these years,and know that for a short time I held it just rightand our tender, secret kissesthat caused you to close your eyesand react like a contented kittenwas something that should have lasted.Did I get what I deserved thenor am I getting it now?I don't know.My life and my actions are such a mixed platebut I know in that momentthat I deserved your loveand you deserved mine.Bridges wash out,trees are split by the lightning,uprooted by the rainthat in every life will surely falland I am stranded on the wrong side,struggling for my life,trying not to be split in halfor toppled in the continuing storms.
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The Old Broken Rocking Chair
continued — continued
I look outsideand the old broken rocking chairis rocking in the wind,without an occupantand I'm alone in this roomwith my deteriorating bodyand thoughts like a wounded man with no voice,dying in a ditch in the darkness.
9
 
Snowed In
John Tustin
I go back in my mind, time and again,to the night we were snowed inand you drank my beersand fell asleep on my tacky green carpet.The music I still remember,playing on as you sleptand I remember going to the windowand seeing the repercussions of the storm,that still-unmolested quilt of snowand wondering, as I often did,who you really wereand if you really loved me,knowing that you did but you didn't,deep within myself knowing thatand you opened your eyesas I brought you to bedand you looked into me,me being so honestly transparent,and your heavily lidded eyes,though still not sober,once again did not betray you
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Snowed In
continued — continued
and the streetlamp was reflecting off of the snowand right through the blindsas I put the blanket on your shouldersand kissed your lovely foreheadas you looked through me once morebefore falling back to sleep.Never before was the snow so whiteor your eyes so opaqueand the snow will never look so white again.
11
 
You Hardly Cross My Mind
John Tustin
My porch waits to hear your footsteps.My window watches for your approach.My front door practices its welcome.My bed pretends to make love to youin the unbridled machinations of the night.There's a spot by the doorthat reminisces about your wet umbrellaleaning against the wall.Me?You hardly cross my mindbut the crows on their branches,they remember youand they chatter awayabout how you used to come to meand they remember that smile on my face,long gone, unreturnedsince our last embrace.
★ Pushcart Nomination
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"she has taken my voice with hers."
John Tustin
John Tustin's poetry has appeared in many literary journals. fritzware.com/johntustinpoetry contains links to his published poetry online.
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Church silhouette — George L Stein
George L Stein  ·  Photography
Poetry
My Problem with April
Juanita Rey
This spring is far too contrary.A young girl's fancy turns to a bucketplaced mid-kitchen to collectthe water that drips from the ceiling.And the flowers are merely weeds,recycled from last year.Yes, some migrating birds have returnedbut only to emphasizehow I didn't go anywhere.
Nothing here is new,not within or without me.That this could possibly be a beginningis a lie as wide as the mouth of that bucket.I have laundry to do.And a sink full of dishes that need scrubbing.Bills to pay of course.And a lousy job, an abusive boss,that's the best that I can get.Meanwhile, the drops of watergo right on thumping.
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15
 
My Problem with April
continued
Love may be in the air.But, believe me,it's not in the details.
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"Love may be in the air. But, believe me, it's not in the details."
Juanita Rey
Juanita Rey is a Dominican poet and US resident. Her work has been published in Mixed Mag, The Mantle, The Lincoln Review, Lion and Lilac, among others.
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Poetry
For the Trees
Yuan Changming
Don't stand out tall in the forestUnless you feel too tired to re-Main there or long to fall forAn everlasting respite. Try toGrow into a formless form ofA twisted skeleton like a namelessShrub beside the trailThat no hikers would botherTo stop and take a look. Just standStill, take all the time you needTo observe any life or dead as is
So much for meditatingOn whatever outlives the moment
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"Don't stand out tall in the forest / Unless you feel too tired to remain there."
Yuan Changming
Yuan Changming started to learn the English alphabet at age nineteen and published monographs on translation before leaving China. With a Canadian PhD in English, Yuan co-edits Poetry Pacific with Allen Yuan. Writing credits include 16 chapbooks, 15 Pushcart nominations, and appearances in Best of the Best Canadian Poetry (2008-17) and 2,207 publications across 52 countries. poetrypacific.blogspot.ca
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Poetry
Turbulence
James Croal Jackson
Through my window I see rainbowcircles on snowy roofs of cloudswhile the cabin rocksand rattles- prisoner angelsclanging on the airplane wallswith chains and crowbars.I should have sent youthe playlist I made foryou before our spirits ascendedinto sky to battle these icicletowers. Now, the chatteringof passengers around me,buckled and praying to the godsbeneath us who lord oversome semblance of ground-
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Turbulence
continued — continued
how close to touching heavenwe are, or whatever after-worldis above THAT, or the nothingnessof no existence. I swear I sawthe grim reaper made of mistemerge from his cavernin the clouds, floating fastto our collective body wieldingnot a scythe, but wire cuttersfor our wings.
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"not a scythe, but wire cutters / for our wings."
James Croal Jackson
James Croal Jackson is a Filipino-American poet working in film production. His latest chapbook is A God You Believed In (Pinhole Poetry, 2023). Recent poems in The River, Mangrove Review, and Packingtown Review. He edits The Mantle Poetry from Nashville, Tennessee.
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Poetry
Misled
John Grey
You have been misled.The poem I wrote about meis not about me at all.Yet it's in the first personand that is where I'm usually found.But I wore a disguisea young man from a southern state.And then I put a mask over thatand made him the son of a poor farmer.
The father expects the sonto take over the farm someday.The kid wants to be a writer.An argument leads to blows.The father's knocked down.The son storms off the land.The father, stumbling to his feet,declares,"I no longer have a son."
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Misled
continued — continued
It's not true.I told my dad I wanted to be a writer.And he just muttered,"Better that than working in the railyard."
So yes, you have been misled.But you also have been catered to.
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"So yes, you have been misled. But you also have been catered to."
John Grey
John Grey is an Australian poet, US resident, recently published in New World Writing, River And South and The Alembic. Latest books, Bittersweet, Subject Matters and Between Two Fires are available through Amazon.
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Red light — George L Stein
George L Stein  ·  Photography
Fiction
Last Letter to a Lover
C.

Today, I am going to die.

I made the bed in the morning. I haven't done that since another pair of hands were here to help pull the sheets up. I cooked a proper meal and ate every last bite. I haven't done that since there were two mouths here to feed. I even went to the meadow in the late morning and picked fresh wildflowers. The green stems have been bejeweled for months now, yet I have not been to the fields since they bloomed in early spring. I gently laid the freshly plucked flowers on the wooden table next to my lonesome breakfast plate.

The trees of the forest cocooning our cabin gathered in a waltz to the graceful tune of birdsongs. Rarely did we see another soul this deep into the forest. Although occasionally, our path would cross with distant neighbors when they ventured into a nearby trailhead. They're kind and respectful folk, always waving with gleeful smiles as they pass along. Hopefully today, such a magnificently warm and dreamy midsummer day, they won't be up for a hike.

I brushed and braided my hair. I haven't done that since I last tried teaching you to plait. I remember how your broad hands weaved through my wavy brunette locks with a careful tenderness, as though each strand was gilded with gold. After securing my hair into a lengthy braid, I put on that red sundress you always gloated about. You gushed about how the fabric follows my every movement like a dance, like a fresh poppy swaying in the field. You begged me to promise that you would be the one to twirl me around in this dress every time I put it on, and the only one to ever unhook it.

I kept my side of the bargain.

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Last Letter to a Lover  ·  C.  ·  continued

I dug into the bedside drawer and pulled out my final picture of you, preserved like a priceless archive. There were no vengeful tears or bends in the thick, glossy film. As I glided my hand across the silky veneer, I could still feel the brisk January air fossilized in the frame. The cotton candy skies enveloped your tall frame and the distant forest into midnight blue silhouettes. Upon the horizon, the waves of the lake stood frozen in soft, periwinkle ripples, caressing your form forevermore.

I rummaged deeper through the drawer, my hand burrowing beneath a pile of mementos and letters until my fingers caught the rim of the ring. I still giggle thinking back to your poor detective skills, how I played along like a mother with her child as you measured my finger with a piece of yarn. The thin band of plated gold and dainty diamonds still shone as fresh as the day you revealed the token to me.

I lifted the ring to feel the cold metal cut against my chapped lips. I could never wear it on my left hand again. In fact, it would be more fitting — perhaps more dignifying — to chop off my left hand than to wear another ring ever again. Instead, I slipped the gold band onto a slender chain and clasped the necklace around my throat, a vow I never conceded.

I stepped outside again into the cheerful summer day, adorned now with a new charm necklace. The birds never relinquished their praises, still filling the forest's silence. I reached once more for the bunch of flowers resting on the table. They were beginning to look weak and thirsty, unlike when I first picked them that morning. I worked quickly, yet delicately, weaving their mushy stems together into a crown. When the tangled stems fit together as one around my head, I slid it on like a fragrant halo. I felt like Mother Earth herself for a moment. But it wasn't enough.

How dare they speak of this so carelessly? How dare they treat the heart so recklessly? The word itself feels like ripping away a layer of blistered skin. It doesn't deserve tangibility. And yet, my heart is still open, sliced and burning from the salt poured into it.

Let go, they say, let it go. But in their utterances, I only hear, let it happen, just let it happen. That's what you would tell me in our most loving moments, when it was mere skin-on-skin in this teeth-on-teeth world.

Just let it happen.

I began walking into the mouth of the forest. I walked and I walked, far enough to ensure nobody would find me. Yet if they do, they will find a ring around my neck and the ripples of a lake clenched between my blue fingers. And as my feet began to drag through the soft earth, aching with exhaustion, I began to wonder if the bees would drink up the nectar from my halo once I planted myself in the dirt.

Between the suffocating walls of endless foliage and trees, I imagined you were next to me, as if it were nothing more than a leisurely stroll. I would have reached over to you, to say: If you were a strong man, brave enough to bear the burden of mercy, you would know that peace is simple and cruelty is demanding. If you were a strong man, brave enough to survive the burden of bitterness, your heart would be open, too. Then you would be atoned.

Birdsongs clashed in unison from the canopies overhead as I fell to the forest floor, my shaking body finally cradled and held. I couldn't tell whether the aria was pleasant or utter chaos. Amidst the fervor, I gathered but one thing: My soul was yours for the taking. It still is.

28
"My soul was yours for the taking. It still is."
C.
C. is a pen name.
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Shibari church — George L Stein
George L Stein  ·  Photography
Poetry
Lucky
DS Maolalai
I think I can pay it. 2k repairsto the car in a personal bank loanplus 500 from my februarypaycheck. 1.5k covers groceriesand my half of the mortgage.the rest goes for pleasure.I want that. I'll wait a few months
before starting the pensionI promised my wife that I'd start.the immediate comes beforethings which might happen.and we've got a tesco clubcard.it brings down our costs
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Lucky
continued — continued
quite considerably.and I've handed enough cigarettesout outside bars on fridaysto not be ashamed nowto ask. have bought enough roundsto machinegun a palestinian village.I'm owed things, and frankly I'm lucky –apparently it's good for my credit.
and an ex-girlfriend from collegewants to meet up for a drinkwhen she's over next month.I'm thinking about it. my wifeis thinking about it.
32
 
A Moustache
DS Maolalai
my bladder is fat as a grannysmith apple. I sit, sipmy lager and I think aboutpissing. my wife's on a stool.she is tolerating bitter craftbeer. in the booth behind both of us, a puppy(who looks just like our dogwhich died recently) is trainedto the bars by his young womanowner, helped by her olderman date. I don't want to move.the dog seems to want to makefriends with everyone getting upfrom a seat for the bathroom.
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A Moustache
continued — continued
in front of us, outside the windowwe're facing, a woman –24, 25 or so - is filling her dresslike a bite of a granny smith apple.her friend - 24, 25, thereabouts –has a moustache and pencil-mark of stubble beneath.a lot of young men have them lately.he mouth open kisses herin front of their friends. we idly spectatethe reaction of the rest of the circle - it's veryuncomfortable. there's six at one tableand suddenly little to say.
34
"I'm owed things, and frankly I'm lucky."
DS Maolalai
DS Maolalai has been described by one editor as "a cosmopolitan poet" and another as "prolific, bordering on incontinent". Nominated fourteen times for BOTN, eleven for the Pushcart and once for the Forward Prize. Collections: Love is Breaking Plates in the Garden (Encircle Press, 2016), Sad Havoc Among the Birds (Turas Press, 2019) and Noble Rot (Turas Press, 2022).
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Image I — Daisy Freeland
Image I  ·  Daisy Freeland  ·  Graphite / Charcoal
Poetry
[untitled]
Layna Williams
A shit out eggCracked a bit too earlythe membrane shrink wraps around the life inside
It takes great careto wet and peel the filmwithout damaging thehalf formed baby bird
Its skin thin,bones threateningto break throughMaw hollers,"Tweedy Bird!"
To the girl with chicken legsWhy's Tweedy in that flimsy thing?It's cheaply made,tears in the worsh"So I won't worsh it"
Its skin thinVeins beggingNeedle high
You're a flimsy thingSo you won't get worshed
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Anonymous
George L Stein
George L Stein  ·  Photography
Poetry
Literally
Dominik Slusarczyk
LiterallyNothing.I beg you toLet me stay.
LiterallyAir.I beg you butYou won't stay.
LiterallyAtoms.I beg you inMy crying mind.
You hit me withThe other end of the knife.
Dominik Slusarczyk
Dominik Slusarczyk is an artist who makes everything from music to painting. Educated at The University of Nottingham in biochemistry. His poetry has appeared in California Quarterly and Taj Mahal Review, won The Letter Review Prize for Poetry, and was nominated for Best of the Net by New Pop Lit. His collection Reaction is out with Cyberwit. dominikslusarczyk.com
39
Poetry
An Ode to Someplace Once
Wilson Elder
Give me green seas that dip under the horizon alongside oak and walnut treesGive me willow branches and pecans littering backyardsGive me dirt roads crafted by herds of cattle
My grandmother was upset at my cousin for choosing to end his life in the family barn since it brought the value down on the morning of his funeral.
Give me Bluebonnets betwixt my fingersGive me the smell of morning glories on Sundays dawnGive me honeysuckles lining every back road
As a child, all my friends thought that my uncle molested me since he was gay. They told me their parents were the ones that gave them that idea.
Give me gods fingers ripping open the sky to reveal the stars at nightGive me soundless lakes and blaring pasturesGive me doves coos and robins chirps in unison with the breeze
My grandfather told me when I was eight, that if I ever grew my hair into a ponytail, he would pick me up by it, and saw it off with a knife.
Give me the land that calls out my name at nightGive me the water that haunts my every dreamGive me the place that I once called home
★ Pushcart Nomination
40

I cannot go home. It wouldn't be home. Home is where you shed your skin and reveal parts of yourself only seen by lovers and mirrors. Whenever I have returned to the grounds of my youth, it is clear to me that there are no mirrors around, no lovers to be found, and no threshold to cross that is my own.

Wilson Elder
Wilson Elder (they/them) is a queer poet residing in Greeley, Colorado. They are a member of their local arts group, BlackBox Arts Collective, and run their quarterly slam and poetry zine. Published in Discretionary Love, Wishbone Words, and Poetry as Promised Magazine. Instagram: @wilsonglennelder
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Purple suspension — George L Stein
George L Stein  ·  Photography
Poetry
Smack
Jodie Armour
I smack my arms and head lightlyWith my hands to bring me backTo the cold kitchen and the counter I'mLeaning against.It's a technique I learned in a writingWorkshop, of all places. Not a doctor'sOffice or from a therapist."When you start to disassociate,Touch your skin. Call yourself back,"The writer with the short hair andSquare framed glasses told us overThe Zoom camera as I drifted andWondered about her pronouns.They/them, I would guess.
continued →
43
 
Smack
continued — continued
Smack - come back.A guided meditation to take you to your childhood.Stop if it gets scary.Stop if it becomes too much.It took a writer to tell me that I have the power to stop.Something no therapist ever told me.I don't have to remember.I don't have to think about his hands on me,If I'm not ready right nowOr todayOr ever.I can say stop to the thoughts at any moment.And come backTo this cold kitchenAnd the hard counter I'm leaning against.
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Image II — Daisy Freeland
Image II  ·  Daisy Freeland  ·  Graphite / Charcoal
Poetry
American Crow
Eve Lyons
Common all over much of the U.S. and Canada
Easily identifiable by its caaaawww
Remember to listen to its call
Very social, often in flocks
Sometimes they chase away hawks and owls
They are trying to warn us
They will recognize your faceif they meet you
They know what sounds you makeif they hear you coming.
And if you piss them offthey will rememberand tell their children
Generational trauma is real
Never forget.
★ Pushcart Nomination
46
 
House Sparrow
Eve Lyons
Widespread and abundantin cities, neighborhoods and farms
Avoids taking sidesunless it raises their taxes.
Flocks cluster on playgroundsand sports teams,bustling and chattering.
Males have smart black suitsThey wear ties with dull patternsin grays and blues and browns.
Underneath are pale boxersand fears of emasculation.
Females are plain brownwith cute faces and lesser incomes.
Native to America;marketed to the rest of the world.
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"Generational trauma is real. Never forget."
Eve Lyons
Eve Lyons is a returning contributor to Trigger Warning Magazine. Previously nominated for Best of the Net and the Pushcart Prize by this publication.
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Witchy Boudoir — Kelsey
Kelsey  ·  Witchy Boudoir Series
Witchy Boudoir — Kelsey
Kelsey  ·  Witchy Boudoir Series
Fiction
Can't You Take a Joke?
Zeke Jarvis

The three men had a feeling that the clown would be a problem. They had been sitting at the food court, minding their own business when he approached them, smiling. They each nodded slightly, trying to be polite without engaging the clown in any real way.

After a few seconds of awkwardness, the clown opened his mouth very wide. He put his left hand into his mouth, and, when he pulled his hand back out, there was some type of goo that he was holding. It was either purple or black, depending upon how the light hit it. The clown shook his hand down so that the goo splatted onto the ground next to the three men's table. They looked at each other, disgusted.

The first man said, "You really ought to pick that up."

The clown laughed. "It's just a gag. You need to loosen up." He honked his nose.

The second man said, "What is that stuff anyway?"

The clown rolled his eyes. "I told you, it's a gag. A joke."

"It doesn't look very funny."

"That's part of the joke. Don't you get it?"

The third man said, "Maybe it's not a very good joke."

The first man said, "You really should clean that up before it dries."

The clown said, "You already said that."

"Yeah, but you didn't clean it up."

"You guys have no sense of humor." The goo began to slowly bubble. The second man said, "Why is it doing that?"

"It's my best joke." The clown raised his eyebrows up and down.

The second man laughed and looked at the other two. "He can't give a straight answer, can he?"

The clown sighed and crossed his arms. "You can't explain humor. Once you start trying, it stops being funny. Everybody knows that."

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51
Can't You Take a Joke?  ·  Zeke Jarvis  ·  continued

The third man said, "It seems like you should at least be able to tell why it's bubbling."

The clown shrugged. "I don't make the rules."

The third man said, "Will it do anything else?"

The clown shook his finger at the three men. "You have to wait for the punchline."

The first man said, "I'm going to call security," but he didn't actually move.

The second man asked, "Is this going to set off the sprinklers?"

The clown smiled and shrugged. The third man said, "I don't like this joke. I think it's going to make us sick."

The clown said, "Your face is going to make me sick," and it started laughing. The goo began to smell. Like a landfill on a hot, humid day.

"Oh God," the first man said. "This is just too much. You need to take care of this."

The goo turned into a kind of foam. The clown bent down and picked up a handful. The second man asked, "Are you really supposed to be touching that?"

The clown extended his hand. "Take some home with you."

"Oh God," the third man said, "This is just awful."

The clown sighed. "Everyone's a critic." The clown put the foam into his mouth.

The first man said, "That was smoking. And it was on the floor."

The clown kept chewing. He smiled and rubbed his belly. The second man said, "Did he even really put it into his mouth, or is this some kind of trick?"

The clown opened his mouth. The whole inside was covered with what looked like yellow-green mush. The third man said, "I don't get why this is supposed to be funny."

The clown tilted his head back and puckered his lips. He blew the mush out, like his lips were a sprinkler. The mush flew nearly six feet into the air, then it dropped down, hitting the three men. They screamed and ran, because the mush burned them badly. The first man tried to pull the mush out of his hair, but he just ended up burning his hands. The second man dropped to the ground. He tried to roll around, hoping that the mush would drop off of him. Instead, it just seeped into his ears, eyes, and mouth. He screamed and screamed. The third man just crumpled, saying, "This can't be happening." The clown laughed and laughed as he walked away, being the biggest fan of his own joke.

52
"The clown laughed and laughed, being the biggest fan of his own joke."
Zeke Jarvis
Zeke Jarvis is a Professor of English at Eureka College. His work has appeared in Moon City Review, Posit, and KNOCK, among other places. His books include So Anyway..., In A Family Way, The Three of Them, Antisocial Norms, It's Haunted!, and The Calling.
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Poetry
Stick
Sam Harty
I miss our s e x.So fastcrazyenergeticlazywe'd do itin thebed, surebut alsoon the deskthe couchthe dryerin motionwith paddlesscarvesand allkinds oflotions.
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Witchy Boudoir — Kelsey
Kelsey  ·  Witchy Boudoir Series
 
Stick
continued — continued
But nowyou're goneand I knowyou gottamiss it.Justcome backand tellMamawhere youwant meto kiss it.
I meanreallyare wedone??Not evenone last licklet's throwourselvesup againstthe counterand see ifwe stick.
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Witchy Boudoir — Kelsey
Kelsey  ·  Witchy Boudoir Series
Image III — Daisy Freeland
Image III  ·  Daisy Freeland  ·  Graphite / Charcoal
Image V — Daisy Freeland
Image V  ·  Daisy Freeland  ·  Graphite / Charcoal
George L Stein
George L Stein  ·  Photography
Poetry
Danang West Security
Pete Mladinic
At 101 Doc Lap, an employment centerI squirted people with a hoseand jabbed their ribs with a night stick.Standing at a black iron gate, a grayguard shack to the side, I wore a dark bluehelmet with S P in front, and on my hipa .45. What happened was a notein the paper about jobs gave the impressionlots of jobs were available; there were not.For two to three weeks a lot more peoplecame than usual. Mostly peasants in widestraw hats, their teeth stained with betel-nut,also men in white shirts and womenin long colorful dresses. On a usual daya person showed their I D at the gate beforeentering, but in that two-to-three weeks,with the big crowds we were overwhelmed.We couldn't just let people crash through.After all, this was war and someonemight have been VC, with a grenadeor a bomb. The hose was pretty powerful,but I don't remember it knocking people flat.We didn't have dogs. I never broke an armor cracked a skull. The center, guarded24/7, was closed at night. Across the streetstood a white cathedral. Bats flew inand out of its steeple. Outside the shackmy boot-heel cracked the wings of roaches.
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Samuel Greenberg
Pete Mladinic
He's the guy Hart Crane ripped off,but not really, took a little of this n that,or maybe more, but the thing is Greenbergis pure poetry. Look at his book. Goodluck making any sense of it, but it's nottrumped up b.s. It's something someonehad to say and said in the line (as helolled on a green hill near Grant's Tomb).Maybe he and Hart met at the New YorkPublic Library. Sitting on a stoop,with girls playing hopscotch nearbyand a horse-drawn milk cart passing,Crane saw some magic there in the openfield of a poem Greenberg was showing him.
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Ticklish
Pete Mladinic
I gave my Sherlock, a cocker poodle,light kisses as he lay beside metrying to sleep. He twitched a few times.Sixteen, he sleeps a lot. That twitchmakes me think he's ticklish. I know I am.That's one reason I don't carefor massages. But I'm wondering ifI could be on a Zoom with somebodyand they could tickle me, or I them.Possibly, with AI and technology beingwhat it is. Maybe when I was a little kidmy mother tickled me, just for the heck of it,like I leaned just now and kissed my little guyon his side and behind an ear.He has big floppy ears, and cataracts.Soon he’ll go the way of my mother,into the inevitable. When she passed,cell phones were big walkie-talkie affairs.There's a government shutdown, a typhoonleft 114 dead. Things I know from wordson a screen. Somewhere, someone sniffsrose petals, puts the roses in a glass vase,and adds water from a tap—I'd like to thinkBelinda, the name I made up for the womanwith the suitcase at the gym. I thought shewas homeless. I learned she isn't,and a reason I can't remember for the suitcase.She sat on the floor in a cornerwith it opened, doing her make up in a mirror.Her black T said "girls buns" in white.
Pete Mladinic
Peter Mladinic's most recent book of poems, The Whitestone Bridge, is available from Anxiety Press. An animal rights advocate, he lives in Hobbs, New Mexico. petermladinic.com
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Cruciform — George L Stein
George L Stein  ·  Photography
Poetry
Heard the one about Sandi and Lydie and Kristin and Beth?
S. Kenneth Wieda
Get a load of this one, gangHe's a laugh a minute kidThat punchline, the applause lightand the flashbulb smile of thedoublecross, doublecrossing girl of his dreams
He's an A-1spit-shinedspotlight rubeWith the pie in the facethe banana peel slipthe electric hand buzzer held tight in his grip
Let him in, folksHe's like a friendHe's like a brotherHe's a true-blue pal
And good lord boy you bombed out thereFell flat on your facestunk up the jointlaid an egg
continued →
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Heard the one about Sandi…
continued — continued
It was the ole green room dupeYou thought the winks were the contracts and the deal was sewn upYou saw your name in the bright bright lightsreflected in the rain-soaked sidewalk on opening night
But this is the big leagues, kidand you only get one shot at itTwo, maybe three topsHope you get another turn some day
And when we did get that turnwe turned it all back on herA doublecross doublecrossed gal of our ownO how we doublecrossed her
We pulled the same trick they had pulled on usThat slick wink and the flashbulb smile
We put on our own show and we made her danceAnd we brought the house downAnd they rolled in the aislesAnd by golly we got her goodby golly by gosh by gumby god I'm sorry
sorry
i'm sorry sorry
my god i am so sorry
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Mantra
S. Kenneth Wieda
Ancient drums thump against black walls of soundEvening pink. Words unbound.Hip cats swinging by the alley light posts,Glistening, listening, talking with the ghostsAnd they'll be glad to tell you how this whole thing started:13.75 billion years ago there was this explosion, see
And everything came straight out of nothingLike the starsAnd this Nikon cameraAnd this sabre-tooth tigerAnd this barometric detonatorAnd you and meWe're all oneWe're the same stuff
We all came from the same kaboom which birthed a cosmosThe kaboom which was a briefcase carried by some bum
In a worn-out three-piece brown suit —As if he were still going to work —Which popped its clasp the last time the bum fell down drunkAnd spilled its contents throughout the abyss.
And what of our answers?Our tremors, our prayers?Looking to the heavens. In awe before the heavens.Repeating
||: We are not what we were meant to beObjective lies are subjective truthsWe're never as good as we ought to beIt never counted nor mattered at allLife is very short :||
And there's the bum still fighting the claspTrying to stuff it all back inBut the damn thingFights him'til
Everything dissolvesInto prescription refills
One for the panicAnd one to stay saneAnother for the sorrowAnd the other self's pain.And this one, sir?This one's just for me.
64
 
Untitled
S. Kenneth Wieda
That's right, Jack, he's a hell of a catWith his loose-leaf grin and the target on his backA "Kick Me" sign and an ever-bleeding heartA human giving machine nearly out of fuel, tracing
the monotone patternsin his monotone way
Give him a cigar — to hell! — give him threeThrow him a bone, if not just to seeHim dance the shim-sham-step of the I'm Alright RagIn the spotlight of neon along the main dragTo the tune of a whiskey bottle scraped across
the broken asphalt of shattered dreamsand fifty years of songless sleep.
Ah, but he had his moment —His singular solitary droplet of songWhen he still thought the world was listeningAnd his words carried weight.But the auditorium was empty
and the echoes died out way beforethe opening number fell flat.
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65
 
Untitled
continued — continued
And there he was, standing likeA farm-boy hick lost in the uncaring city
too busy to listenand too callous to care,
And him too weak to carry on alone,Slinking back into the subway of silence,Searching for a voice he once had — or thought he didWhen the world was young and the days were long.
Now in soft autumn, twilight shadows grow like accusatory claws,Pointing out the empty pages in the sketchbook like missing teeth.And the song sits like bile in the pit of the stomach.
66
"by god I'm sorry / sorry / my god I am so sorry"
S. Kenneth Wieda
S. Kenneth Wieda is a poet, musician, producer, and writer from New Haven, Connecticut. He holds a degree in animal pathobiology and is mildly obsessed with Alice In Wonderland.
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Poetry
Curveball
Tom Barlow
October and already I miss the stadiumthe vendors hawking ball caps and logoed onesiesthe Bobbleheads Giveaway Night when youlaughed because Mike Trout looked like Putin
me and you on the Kiss Cam one nightduring the seventh-inning stretchbanana splits from Sweet Mosesfireworks after beating the Yankees
"Bark in the Park Night" when fansbrought their mutts to the game and usherswere issued little dog-shit bagsYou remind me that the lake wind
that kills fly balls gave you an earacheall those drunks with their potty mouthsthe way the temperature droppedtwenty degrees in that September rain delay
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68
 
Curveball
continued — continued
and closing night when I was nursingthe last beer of the game and you keptplaying poker on your phone with yoursister in Cabo until the bottom of the ninth
when an Ohtani foul ball came right at usand knocked my beer all over your birthday giftDolce&Gabbana sweatshirt and you
threw me down like a broken bat.That night you said god how I hate baseballand I knew you didn't mean it.
I knew you didn't mean just that.
69
 
Sanctity
Tom Barlow
After "A Blessing" by James Wright
Hauling ass toward the Harley rally in Sturgisthe pair of us riding showroom new Electa Glides,fingers of the sun and wind dig atour eyeballs. When we pull over to take a piss
at a stand of South Dakota maplesposted no hunting, two woodpeckersbeating their brains out against the trunkof a dead sapling hop a limb closer, then another,
like rent-a-cops at Wrigley Field checkingfor beer concealed under our jacketsand I find I'm embarrassed to stand therebefore them with my dick in my hand.
for the wickedness that grows so tall in the worldunder our watch but the birds return to their laborsand the sun continues to slide down the horizon.
I leave convinced I'd been offered a blessingand refused it by my haste to reach party town,but at eighty miles an hour such giftsare only streaks along the roadside anyway.
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School Bus Demolition Derby
Tom Barlow
after "Demolition Derby" by Sherman Pearl
My school bus, old number twenty-three, wasstuffed with so many children over the yearstheir shrieks still cut through the piston clatterlike a beer joint dart. I've washed her today so she's
a thoroughbred amid the mongrel crew ofother buses in the derby, tagged with messages like"The Principal's Office," "Schools out Forevr" (sic)and "Bite me Riverdale High," buses kept alive
by mechanics who seem to never love anythingthey cannot destroy. But me, I'm here only tobear witness to the school board greed that sent her
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71
 
School Bus Demolition Derby
continued — continued
to this contemptable fate. As we enter the trackinfield, the wheels under my hand are reluctantto even contemplate t-boning that wreck fromthe Akron school system with rust like vitiligo
throw its yellow self into the afterlife? My bustells me what the hell, there is no glory here,only gasoline. If she was meant for the fire allalong, she says, might as well strike the match
and get it over with, so when the first busesmake their move we dive into the maelstrom,both ignoring the little school children lined upagainst the racetrack fence, screaming for blood.
72
"I knew you didn't mean just that."
Tom Barlow
Tom Barlow is a Pushcart-nominated American writer of novels, short stories and poetry, whose work has appeared in many journals including One Art, Ekphrastic Review, Voicemail Poetry, Hobart, Tenemos, Redivider, The New York Quarterly, and many more. He is the recipient of an Individual Excellence Award by the Ohio Arts Council. tombarlowauthor.com
73
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
Shibari Series — Aaron Lewis
Aaron Lewis  ·  Lounge SevenZeroEight
"The sculptural interplay between rope, body, and light."
Aaron Lewis
Through Lounge SevenZeroEight, Aaron Lewis creates dark, atmospheric imagery exploring bondage, kinbaku, and suspension art. His work focuses on intimacy, vulnerability, and the sculptural interplay between rope, body, and light. lounge708.com
Contributors
Jodie Armour
Editor, Trigger Warning Magazine.
Tom Barlow
Pushcart-nominated writer. Individual Excellence Award, Ohio Arts Council. tombarlowauthor.com
Yuan Changming
Co-editor of Poetry Pacific. 15 Pushcart nominations. 2,207 publications across 52 countries.
Wilson Elder
Queer poet, Greeley CO. BlackBox Arts Collective. Published in Discretionary Love, Wishbone Words, Poetry as Promised.
Daisy Freeland
Graphite and charcoal artist.
John Grey
Australian poet, US resident. Latest books: Bittersweet, Subject Matters, Between Two Fires.
Sam Harty
Published in Lost Love Volume I and various anthologies.
James Croal Jackson
Filipino-American poet. Chapbook: A God You Believed In (Pinhole Poetry, 2023). Editor, The Mantle Poetry.
Zeke Jarvis
Professor of English at Eureka College. Books include So Anyway..., Antisocial Norms, and The Calling.
Kelsey
Witchy Boudoir photographer and model.
 
Aaron Lewis
Through Lounge SevenZeroEight, Aaron Lewis creates dark, atmospheric imagery exploring bondage, kinbaku, and suspension art. lounge708.com
Eve Lyons
Returning contributor. Best of the Net and Pushcart nominee, Trigger Warning Magazine.
DS Maolalai
"Prolific, bordering on incontinent." 14 BOTN noms, 11 Pushcart, 1 Forward Prize. Collections: Love is Breaking Plates, Sad Havoc Among the Birds, Noble Rot.
Pete Mladinic
Most recent collection: The Whitestone Bridge (Anxiety Press). petermladinic.com
C.
C. is a pen name.
Juanita Rey
Dominican poet, US resident. Published in Mixed Mag, The Mantle, The Lincoln Review, Lion and Lilac.
Dominik Slusarczyk
Letter Review Prize for Poetry. Best of the Net nominated. Collection Reaction out with Cyberwit. dominikslusarczyk.com
George L Stein
Art Editor, Trigger Warning Magazine. New Jersey photographer. Art, urban decay, street, portrait, surreal.
John Tustin
Poetry published widely in literary journals. fritzware.com/johntustinpoetry
S. Kenneth Wieda
S. Kenneth Wieda is a poet, musician, producer, and writer from New Haven, Connecticut. He holds a degree in animal pathobiology and is mildly obsessed with Alice In Wonderland.
Layna Williams
Returning contributor, Trigger Warning Magazine.
Pushcart Nominations
John Tustin — You Hardly Cross My Mind
Wilson Elder — An Ode to Someplace Once
Eve Lyons — American Crow
Kendra Matott — Diabolical Whimsy
Kendra Matott  ·  Diabolical Whimsy
TRIGGER
WARNING
triggerwarningmagazine.com
Issue 3  ·  Art & Literature